mariylnbanner3
[Home] [Crime and Punishment] [Beats 2011] [Feminist Lens] [Salons] [Mixing It Up] [Acting] [Contact]

Crime and Punishment

“Who would have thought that the novel no high school student has ever finished reading would make such engrossing theater?  “Crime and Punishment,” in a feat that rivals the construction of the Hoover Dam, has been distilled into a taut 90-minute play by Marilyn Campbell and Curt Columbus, and the production by the Writers’ Theater of Chicago now at the 59E59 Theaters will banish any bad memories you might have of trying to struggle through Dostoyevsky’s book.”  -- Neil Genzlinger, New York Times, Nov. 9, 2007

2011 Season for Crime and Punishment

Chester Theatre Company

American Players Theatre

Center Stage

Boulder Ensemble Theatre Company

University of Chicago

No Strings Theatre Company

For those interested in production go to www.dramaticpublishing.com

Review

Onstage/Backstage WBEZ 91.5

 

crimeandpunishment7
crimeandpunishment3
crimeandpunishment4
crimeandpunishment23
crimeandpunishment12
crimeandpunishment13
crimeandpunishment11
crimeandpunishment6
crimeandpunishment17
crimeandpunishment5
crimeandpunishment1
crimeandpunishment22
crimeandpunishment2
crimeandpunishment14

Crime and Punishment
adapted by Marilyn Campbell & Curt Columbus
 

Production History

  • 2003
  • World Premier Production, Writers Theatre, Glencoe, IL, commissioned and directed by Artistic Director Michael Halberstam
    • “… a work of theater that never feels like a condensation of a seminal 500-page novel, but rather, has the swift, sharp impact of a blow from an ax.” 
    • – Hedy Weiss, Chicago Sun-Times
  • Winner, Joseph Jefferson Award, Chicago, IL, “Best New Adaptation”
  • 2004
  • Published, TriQuarterly Magazine, Northwestern University Press
    • “The preeminent journal for literary fiction in America.”
  • Published, Dramatic Publishing, Woodstock, IL [www.dramaticpublishing.com]
  • Staged Reading, Jean Cocteau Theater, New York, NY
  • 2005
  • Production, Gamm Theater, Pawtucket, R.I., Raskolnikov performed by Artistic Director Tony Estrella, directed by Peter Sampiari
    • “If a novel of nearly 600 pages can be boiled down and end up concentrated rather than trivialized, this is the one.”
    • – Bill Rodriguez, The Providence Phoenix
  • 2006
  • Winner, “Top Pick” Orlando Shakespeare Festival’s Playfest
    • “Using language that has nothing of the dusty 19th century about it, Campbell and Columbus have whittled this mammoth novel down to its core … When theater is pared down to the bone, nothing gets in the way of the words!”
    • – Elizabeth Maupin, Orlando Sentinal
  • Production, Arden Theater, Philadelphia, PA, Directed by Aaron Posner
  • Oct.12 - Dec. 3, Arcadia Stage
    • “When I first read this adaptation, I had that extraordinary sensation of experiencing the classic and the contemporary co-existing in one work.  It is the work of playwrights like Campbell and Columbus that keeps American theatre artistically vital and connected to our world.”
    • – Terrence J. Nolen, Producing Artistic Director
  • 2007
  • Production, Orlando Shakespeare Festival, Orlando, FL, Directed by Artistic Director, Jim Helsinger, Feb. 7 - March 18
  • Production, Round House Theatre, Silver Springs, MD, Directed by Artistic Director, Blake Robison, April 4 - April 29
    • “Round House Theatre realizes that audiences sometimes prefer their theater and literary adaptations in bite-size portions and the adaptors have shrink-wrapped the 700-page novel into a 90-minute, zero-percent-body-fat drama that is swift and devastating.”  – The Washington Times
    • Winner! Helen Hayes Award -- Outstanding Set Design, Robin Stapley
  • Production, Northside Theatre Company, San Jose, CA, Directed by Richard T. Orlando, April 25 - May 14
    • Winner! Silicon Valley Theatre Award -- Outstanding Set Design, Richard T. Orlando
  • Production, Theatre Underground (Capital Hills Arts Center), Seattle, WA, Directed by Sheila Daniels, June 1 - Oct. 14
    • “The temperature of this 90-minute, lean-yet-muscular version of “Crime and Punishment,” is scorching!”  --Seattle Times
    • Winner! 2007 Seattle Times “Fab Fringe” Footlight Award
  • Production, 59E59 Street Theater, New York, NY, Directed by Michael Halberstam, Nov. 7 - Dec. 2
    • “Crime and Punishment,” in a feat that rivals the construction of the Hoover Dam, has been distilled into a taut 90-minute play and will banish any bad memories you might have of trying to struggle through Dostoyevsky’s book.”
    • – Neil Genzlinger, New York Times
  • 2008
  • Production, Cincinnati Playhouse in the Park, Cincinnati, OH, Directed by Michael Evan Haney, Feb. 2 - March 2
    • Winners!  2008 Cincinnati Acclaim Awards
    •   Winner!  Best Actor, Nick Cordileone
    •   Winner!  Best Supporting Actor, John Campion
  • Production, Milwaukee Chamber Theater, Milwaukee, Wisconsin, Directed by Patrick Holland, Feb. 14 - March 9
  • Production, Actors Co-op, Crossley Theaters, Hollywood, CA, directed by Ken Sawyer, Feb. 29 - April 13
    • Winner!  Ovation Award:  Jeremy Pivnick (Lighting Design)
    • Winner! Garland Award, Backstage, Best Adaptation
    • Nomination:  LA Drama Critics Circle Award:  Best Adaptation
    • (3) Nominations:  LA Weekly, Best Actor, Best Supporting Actor,
          Production Design
  • 2009
  • Production, Berkeley Repertory, Berkeley, CA, Directed by Sharon Ott,
    Feb. 27 - March 29, Thrust Stage
    • Nominations (Bay Area Critics Circle Awards):
       Best Ensemble; Best Supporting Actress (Delia MacDougall)
  • Production, Cleveland Play House, Cleveland, OH, Directed by Anders Cato,
    Feb. 27 - March 22, Drury Theatre
  • Production, Indiana Repertory Theatre, Indianapolis, IN, Directed by John Green (Butler University Theatre Chair), Feb. 10 - March 8, Upperstage
  • Production, Intiman Theater, Seattle, WA, Directed by Shiela Daniels, March 27 - April 25
  • Production, Jungle Theater, Minneapolis, MN, March 27 - May 3, Joel Sass directing
  • Production, Heartspace Theatre, Adelaid Festival, Adelaid, Austraila
  • Production, Pittsburgh Irish & Classical Theatre, Pittsburgh, PA, Sept. 10 - 26, Henry Heymann Theatre
    • Winner!  Voted one of the “Top Pittsburgh cultural events of 2009” by TribLive
  • Production, A Noise Within, Glendale, CA, Directed by Craig Belknap, Oct. 10 - Dec. 17
  • Winner!  2010 Garland Award, Michael A. Newcomer, Outstanding Performance
  • Production, Theatre Intime, Princeton, NJ, Dec 3 - Dec. 12
  • 2010
  • Production, Actors Theater of Louisville, Louisville, KY, Directed by Sean Daniels, Jan. 5-31
    • “I have been attending shows at ATL for 25 years and have rarely missed a show (including Humana plays) in the past 8 years.  “Crime and Punishment” is easily one of the best things I’ve ever seen at ATL.  Kudos to all involved for making this such a wonderful theatrical experience.”  -- David Goodlett (audience member)
  • Production, Antelope Valley Thespians, Lancaster, CA, Jan. 16 - 24
  • Production, KOLT Run Creations, Sacramento, CA, Directed by Lisa Thew, Jan. 15 - Feb. 13
    • Winners-Drama!  SARTA 2010 ELLY Awards:
    •   Winner!  Best Supporting Actor, Patrick Murphy
    •   Winner! Best Supporting Actress, Kelley Ogden
    •   Nominations:  Best Lighting Design, Best Set Design,
        Best Production, Best Director, Best Actor
  • Production, The Repertory Theater of St. Louis, St. Louis, Missouri, Directed by Stuart Carden, March 10-28
    • Winner2010 Kevin Kline Awards:
    •   Outstanding Lighting Design - Brian Sidney Bembridge
    •   Outstanding Set Design - Gianni Downs
    • Winner! 2010 Judy Award: Most Ambitious Production
  • Production, Pacific Repertory Theater, Circle Theatre, Carmel, CA, April 1 - May 2
    • “The blistering, ferocious intensity of Marilyn Campbell and Curt Columbus’ award-winning, 3 actor adaptation of Fyodor Dostoevsky’s “Crime and Punishment” plays with the dramatic force of a literary smack-down.” -- Monterey Herald, CA
  • Production, All For One Productions, Fort Wayne, IN, April 23-25 & April 30, May 1-2
  • Production, Hawaii Repertory Theater, Honolulu, HI, October 8-17
  • Production, Stone Town Theatre Works, Bellingham, WA, Oct. 15-24
  • Production, Kentucky Rep, Horse Cave, KY, Nov. 5-21, dir. Robert Brock, Artistic Dir.
    • 2011
  • Production, No Strings Theatre Company and Black Box Theatre, Albuquerque, NM, Jan. 2 - Feb. 6
  • Production, Boulder Ensemble Theater, Boulder, CO, Feb. 17 - Mar. 5
    • Winner!  “Westword Best of Denver Award,” Best New Adaptation
  • Production, Center Stage, Baltimore, MD, Apr. 13 - May 15, dir. Jason Loweth
  • Production, ION Theater Company, San Diego, CA, May 21 - June, dir. Glen Paris
  • Production, American Players Theater, Spring Green, WI, June 21 - October 16, dir. Kenneth Albers
  • Production, Chester Theater Company, Chester, MA, July 20 - July 31, 2011, dir. Sheila Siragusa
  • Production, Actors Studio, Auckland, New Zealand [www.actorsstudio.co.nz], Mark Huston, director
    • Amateur Productions
  • First Baptist Church, Portland, OR, 2005
  • Austin High School, Austin High School, 2006
  • Wallenpaupack Area S.D. High School, 2006
  • Postage Stamp Productions, Winnipeg MB, 2007
  • Liverpool University Drama Society, Liverpool, ME, 2008
  • Theater Works, Peoria, AZ, 2008
  • El Paso Texas High School, El Paso, Texas, 2011
  • Homewood High School, Homewood, Alabama 2011
  • University of Chicago Theatre Department 2011
    • Educational
  • Panel Discussion: “Crime and Punishment: Three Perspectives,” Sept. 20, 2010, panelists include, Matt Gray, Assistant Professor of Acting at Carnegie Mellon University, and director of Crime & Punishment; Vladimir Padunov, Associate Professor in the Department of Slavic Languages and Literatures at the University of Pittsburgh; and Dr. Robert Wettstein, Clinical Professor of Psychiatry at the University of Pittsburgh.  Panelists will share thoughts on some of the questions raised in the play from their unique perspectives.
  • The 321: Theatrical Design Course in Sound 2010, Westminster College, New Wilmington, PA:  Create a sound-scape for a character or moment in the world of Campbell & Columbus’ Crime and Punishment.
  • Open Workshop March 2011, conducted by Artist in Residence Conall Morrison, Pavillion Theater, Dublin, Ireland.  Dostoyevsky's masterwork re-imagined for three actors in a 90 minute script by Marilyn Campbell and Curt Columbus.  Does it do justice to the original?  Is it a completely new piece?  Does it matter?
[Home] [Crime and Punishment] [Beats 2011] [Feminist Lens] [Salons] [Mixing It Up] [Acting] [Contact]

Copyright 2007 Marilyn R Campbell presents Parlor Productions.  All rights reserved.